The Mechanical Licensing Collective (The MLC) announced six appointments to the organization’s advisory committees, including three appointments to the Dispute Resolution Committee, one appointment to the Operations Advisory Committee and two appointments to the Unclaimed Royalties Oversight Committee.
Dispute Resolution Committee
Songwriter, David “DQ” Quiñones, has been appointed to the Dispute Resolution Committee, to fill a songwriter seat. Quiñones attended Shenandoah Conservatory for music education and opera studies before attending Berklee College of Music where he studied music production and engineering. He has an extensive studio resume in vocal production and arrangements and has written most notably for Beyoncé, BTS, Brandy, The Pussycat Dolls, Enrique Iglesias and Nicki Minaj.
Consuelo Sayago (Industry Relations Advisor at Spirit Music Group) has been appointed to the Dispute Resolution Committee. Sayago is a seasoned music industry professional who has dedicated her career to championing the rights of creators. With a background in contract administration at BMI and EMI and most recently serving as Vice President, Global Administration at Spirit Music, she has played a pivotal role in working with CMOs worldwide to form equitable standards and alliances.
Matthew Skiba (Vice President, Rights and Content at Vydia) has been appointed to the Dispute Resolution Committee. Skiba brings a wealth of knowledge to the committee from his role at Vydia, where he’s held positions in digital rights management. Previously, Skiba worked in publishing administration and infringement claims at The Royalty Network, Inc., managing settlement agreements for mechanical and sync infringements.
The Dispute Resolution Committee makes recommendations to the Board on policies and procedures for the processing of royalties related to works that are subject to disputes over ownership and is comprised of five songwriters and five representatives of music publishers.
Operations Advisory Committee
Lidia Kim (Vice President, Legal and Business Affairs at Concord Music Publishing) has been appointed to the Operations Advisory Committee. Leveraging a rich background in the legal industry, Lidia oversees the digital business and legal affairs for Concord Music Publishing, advising company executives and internal departments on global digital and catalog matters, and managing the global digital licensing network, DSP relations and mass copyright litigation and other new media rights enforcement matters. Her expertise extends to managing business affairs as well as drafting and negotiating agreements with both emerging and established talents, including artists, songwriters and contemporary classical composers.
As described in the Music Modernization Act of 2018, The MLC’s Operations Advisory Committee makes recommendations to the Board on policies and procedures related to the operations of the Collective, including the efficient investment in and deployment of information technology and data resources. It is comprised of six representatives of music publishers and six representatives of digital music providers.
Unclaimed Royalties Oversight Committee
Songwriter, “Bruce” Waynne Nugent, has been appointed to the Unclaimed Royalties Oversight Committee,filling one of the five songwriter seats. With over two decades of experience in the music industry, working at the intersection of entertainment and technology, Nugent brings a vast array of knowledge in music production and A&R, co-producing for artists like Frank Ocean, Justin Bieber and Nelly.
Dale Esworthy (Executive Vice President, Worldwide Administration at Sony Music Publishing), who previously held a position on the Operations Advisory Committee has also been appointed to the Unclaimed Royalties Oversight Committee. In his position, Esworthy manages all administration operations for the company across its network of 38 offices in 24 countries, including copyright, royalty administration, tracking and other client services.
The Unclaimed Royalties Oversight Committee recommends policies and procedures to The MLC’s Board related to the distribution of unclaimed accrued royalties and is comprised of five songwriters and five representatives of music publishers.
Committee appointments are for three-year terms. Alisa Coleman, Board Chair states: “The MLC Board and its nominating committee appreciate all the submissions by writers and publishers who want to do their part by working with The MLC on these important committees. In reviewing and interviewing the many applicants, the Board has chosen those who we believe will best contribute to the diversity and knowledge of the existing committees.”
More information on The MLC’s Board of Directors and three advisory committees can be found here.
