Photos by Seth Brandes
The Grape Ventura, CA
Contact: Nina Gordon @ Nina Gordon PR/[email protected]
Web: michaelwolff.com
Players: Michael Wolff, piano; Ray Obiedo, guitar, Edwin Livingston, bass; Mike Barsimanto, drums
Material: Sharing music from Memoir, his first release in four years following his Cancer battle, pianist-composer-bandleader Michael Wolff wowed with his phenomenal band for over two hours. Displaying fabulous brushwork and rimshots, funky upright bass sound, beautiful piano runs and a perfect bass/drum taffy pull on the beat (“Left Out”), Ray Obeido’s badassery solo nod to George Benson, and an edgy percussive Latin drive (“Zawinul”), the group was spellbinding.
Written for Cannonball Adderley, “Leland” added melancholy chords, and stunning piano and bass unison. Gentler blues elements appeared, with bass/rhythm guitar stank notes and singing guitar, before moving to a moody piano bridge.
Musicianship: With expert musicality and sublime use of dynamics, the musical experience and natural connectivity of the group left no room for ego—and plenty of space for the magic to unfold. In a perfect blend of tension, dynamics, and instrumental communication, there was incredible anticipation between the players (Wolff and Obiedo have been collaborating since high school). Tasty walking bass lines, tight band shots, and shifts in and out of juxtaposing styles and time signatures came through flawlessly with musical patience, respect, and BIG ears, creating a delicious marinade of sound.
Performance: “Jamaican Turnaround” opened with one note on the piano, adding a bass line, shaker, and rimshots, continuing with an intriguing blend of melody and syncopation, and a piano solo that sounded like running water.
With a comfortable, focused crowd, the show felt intimate and relaxed, helped by musicians having played together for years and Wolff’s naturally subtle leadership, which allowed for all on stage to shine. Wolff’s unassuming charm and easy energy made his performance a pleasure to behold. Trading solos throughout the night, Wolff and Obiedo had a friendly interplay, each challenging and enhancing the other’s improvised runs.
Summary: The experience and talent on stage were undeniable, wrapped in an easy presence and clear enjoyment by all involved. From traditional sound and Latin vibes, to blues and smooth jazz, the evening was a tremendous unfolding for the soul. Grounded in appreciation to be back at the piano, Wolff’s performance—along with the incredible musicians joining him—shone through as an authentically present offering of sound expression.
