Having grown up as musicians, it’s no wonder that George and Geoff Hazelrigg fully immersed themselves in the industry and every new opportunity it provides. Between being two-thirds of the Hazelrigg Brothers jazz trio, manufacturing the D.W. Fearn line of circuits and co-founding Hazelrigg Industries, the duo is familiar with every step of the musical process: from creation to production to performance. With 30 years of production experience and 15 years of high-definition recording knowledge under their belts, the Hazelrigg brothers are now tackling the newest force to take the music world by storm―immersive audio recording.
For these recording projects, the duo relies on DPA Microphones’ 4006A Omnidirectional Condenser Microphones and accompanying nose cones. “These mics are just so quiet,” explains Geoff. “When we record in DSD, an extremely high-detailed recording format, the DPAs are so quiet and capture the total dynamic. All the little nuances of the room are picked up without having excess noise getting in the way of anything.” George agrees, adding, “the nose cones make the mics absolutely flat from top to bottom. There are no hotspots anywhere in any frequency range. These mics are sort of magical.”
When it comes to tackling an immersive project, George says, “the entire industry is thinking about how to remix tracks to fit an immersive format, but we start from the ground up and build tracks specifically for immersive. The 4006s are the standard of excellence for this.” The duo has implemented this concept for their recent co-production of LA-artist Tyler Smith’s new record. Produced in collaboration with Sweetwater Studios, George and Geoff worked alongside the iconic Mixing Engineer Mike Miller and Sweetwater Engineer Shawn Dealey.
For more information, visit www.dpamicrophones.com.
